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Ron Arad, Naja, Free Hand, 2015
Ron Arad, Naja, Free Hand, 2015
Ron Arad, Naja, Free Hand, 2015

Ron Arad Israel / United Kingdom, b. 1951

Naja, Free Hand, 2015
vermeil, amethyst or smoky/rutilated quartz lens with waxed cotton cord
7.9 x 6.4 x 0.6 cm
57-58 g
unique within a series of 25 in collaboration with Louisa Guinness
incised with the artist's signature, hallmarked and numbered
£ 6,000.00
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%3Cdiv%20class%3D%22artist%22%3ERon%20Arad%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ENaja%2C%20Free%20Hand%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2015%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Evermeil%2C%20amethyst%20or%20smoky/rutilated%20quartz%20lens%20with%20waxed%20cotton%20cord%3Cbr/%3E%0A%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E7.9%20x%206.4%20x%200.6%20cm%3Cbr/%3E%0A57-58%20g%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3Eunique%20within%20a%20series%20of%2025%20in%20collaboration%20with%20Louisa%20Guinness%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3Eincised%20with%20the%20artist%27s%20signature%2C%20hallmarked%20and%20numbered%3C/div%3E

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The ‘Naja Pendant’ is conceived in several forms, and realised in both silver and vermeil. ‘Freehand Naja’ is an embrace of the imperfect human hand, a departure from Arad’s reliance...
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The ‘Naja Pendant’ is conceived in several forms, and realised in both silver and vermeil. ‘Freehand Naja’ is an embrace of the imperfect human hand, a departure from Arad’s reliance upon computers and rapid manufacturing. Drawn in pencil, each circle is rendered by the goldsmith based on Arad’s free-hand pencil sketch. As a result, the final work is irregular, fluid and organic.
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Louisa Guinness Gallery

104 Kensington Church Street

London, W8 4BU

 

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