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Niki de Saint Phalle
American/ French, 1930-2002

Niki de Saint Phalle American/ French, 1930-2002

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Niki de Saint Phalle, Assemblage Necklace, 1974/2015
Niki de Saint Phalle, Assemblage Necklace, 1974/2015
Niki de Saint Phalle, Assemblage Necklace, 1974/2015
Niki de Saint Phalle, Assemblage Necklace, 1974/2015

Niki de Saint Phalle American/ French, 1930-2002

Assemblage Necklace, 1974/2015
18k gold and enamel with 18k gold choker and original suede case
pendant: 13.0 x 8.0 cm
edition of 3
archive reference NS/9, signed 'Niki de Saint Phalle, 1974' and numbered, stamped with archive number, 750 and makers mark 'GM' (on the heart). This work is a continuation of the edition started in 1974, completed in 2015.
© Niki de Saint Phalle
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%3Cdiv%20class%3D%22artist%22%3ENiki%20de%20Saint%20Phalle%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EAssemblage%20Necklace%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1974/2015%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3E18k%20gold%20and%20enamel%20with%2018k%20gold%20choker%20and%20original%20suede%20case%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3Ependant%3A%2013.0%20x%208.0%20cm%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3Eedition%20of%203%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3Earchive%20reference%20NS/9%2C%20signed%20%27Niki%20de%20Saint%20Phalle%2C%201974%27%20and%20numbered%2C%20stamped%20with%20archive%20number%2C%20750%20and%20makers%20mark%20%27GM%27%20%28on%20the%20heart%29.%20This%20work%20is%20a%20continuation%20of%20the%20edition%20started%20in%201974%2C%20completed%20in%202015.%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Niki de Saint Phalle, Snake Cufflinks, 1971/2015
  • (View a larger image of thumbnail 2 ) Niki de Saint Phalle, Snake Cufflinks, 1971/2015
  • (View a larger image of thumbnail 3 ) Niki de Saint Phalle, Snake Cufflinks, 1971/2015
  • (View a larger image of thumbnail 4 ) Niki de Saint Phalle, Snake Cufflinks, 1971/2015
Assemblage as a method was central to St. Phalle’s early work, a time in which she refined her visual language. Therefore this work made in collaboration with GEM Montebello is...
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Assemblage as a method was central to St. Phalle’s early work, a time in which she refined her visual language. Therefore this work made in collaboration with GEM Montebello is a meaningful refined reflection on her practice. Made up of signature symbols, it is another example of the complex enamelling process her work required - with each colour needing to be fired at a different temperature.


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